This rate book is brought back into print because it tells the story of alchemy in such simple terms that most all can understand. The cryptic language and symbolism commonly found in alchemy is laid bare so we can comprehend exactly what was meant and what was happening during the pursuit of the alchemical elixir. The premise of the book is to show that the science of alchemy reveals the one law operating within the human spirit and in our quest for immortality. Cockren insists that there is a Divine Plan, and by exploring and experimenting with alchemy, we will find ourselves on the path that will lead us to it. This book must be read in full, so the "complete picture" is shown, and the reader will then see how it all connects. Different parts of the world are covered, as well as different periods of history. There is also a physical alchemy, relating to medicine, that is covered besides the spiritual. Excellent material exists in this small book on the great men of alchemy like St. Germain, Nicholas Flamel, Basil Valentine, and Paracelsus. The book concludes by reprinting two of the world's most important Hermetic alchemical texts -- The Golden Tracate of Hermes and The Book of the Revelation of Hermes.
For a generation, video stores were to filmmakers what bookstores were to writers. They were the salons where many of today's best directors first learned their craft. The art of discovery that video stores encouraged through the careful curation of clerks was the fertile, if sometimes fetid, soil from which today's film world sprung. Video stores were also the financial engine without which the indie film movement wouldn't have existed. In I Lost it at the Video Store, Tom Roston interviews the filmmakers-including John Sayles, Quentin Tarantino, Kevin Smith, Darren Aronofsky, David O. Russell and Allison Anders-who came of age during the reign of video rentals, and constructs a living, personal narrative of an era of cinema history which, though now gone, continues to shape film culture today.
Jesse believes that the future will be better. One day, he'll make up for all his mistakes and achieve perfection. That belief had sustained him for most of his sixty-five years. It helped him get through the bad times, those days when the brandy failed to drown the sorrow and shame. When sleep unleashed painful memories that refused to fade. He still has some bad days as he lives out his autumn years in Dublin. But his worst days were in New York in 1976. After that city had nearly crushed him, he'd fled to Dublin, a broken man. But he was determined to rebuild himself, brick by brick, improving day by day. Back in the 1970s, Jesse was a successful young ad man on Madison Avenue. He'd succeeded because he was willing, indeed eager, to do anything to advance his career. He'd endure countless dinner parties where cloaks and daggers dangled behind the wine and cheese. He'd sleep with anyone who could bring him closer to his goals. And he'd punch those who stood in his way. It all seemed like a good plan, right up until the day he brought a pistol to work. For years in those offices and meeting rooms, they all thought they were kings, living it up in their high palaces of power. As it all fell apart for Jesse in 1976, he realised they were all just fumbling in the dimestore. Throughout it all, his wife Clara stood by him. Until he finally pushed her away. She could see he was drowning and tried to reach him, but he just lashed out and ruined the one remaining good thing in his life. And then fled from the wreckage. As the chaos whirled around him, Jesse found some solace in blues songs. He still listens to those songs now that he's settled in Dublin. Some days, he hears Bob Dylan singing about a world that's condemned, a world that needs Blind Willie McTell to sing at its funeral. Other days, it's Fingers Flaherty bawling about a life that's crumbling in his hands. No matter how bad Jesse felt - and he often felt beyond terrible - he knew that at least his life wasn't as fraught as Flaherty's. And now that the storms have long passed, Jesse still often thinks that Flaherty is the only person who understands him. Jesse's life is less volcanic now. Instead of trying to shoot his work colleagues, he simply tries to avoid the domestic squabbles that clatter around him in the apartment building. He enjoys the company of his young neighbour Moses, a relentlessly unhappy cubicle rat lost in the maze of office politics. He learns to tolerate Bill and Tiffany, the volatile couple across the hall whose love for each other is so strong, it threatens to rip them apart. Most important of all, he tries to build a meaningful relationship with Lucy, the widow in the next apartment. As they grow closer together and slowly reveal more of their memories to each other, Jesse feels the uncomfortable presence of the New York ghosts getting stronger. Jesse knows he isn't perfect. He's made many mistakes and will probably make more in the future. Now, with the possibility of contentment finally within his grasp, will he be allowed one final chance to be happy? Or will the ghosts from his past once again refuse to lie down in their graves?
Each month members of the S.T.A.R.S. North Gold Coast Active Writers group were given the option of writing a 500 word short story or a poem which they would read out at the monthly meetings. This book contains the imaginative contributions that were submitted by the following writers.
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