In Volume IV the focus lies on Rembrandt's self-portraits. During this research it became obvious that matters of authenticity cannot be viewed separately from questions relating to the original function and meaning of these works. Rembrandt's intriguing life-long practice of portraying himself in front of a mirror is examined in depth in this volume. As a result, not only has the group of approximately forty painted self-portraits gained transparency, but also new insights have been developed regarding Rembrandt's drawn and etched self-portraits. The problems of authenticity relating to a substantial number of self-portraits which in the past were attributed to Rembrandt, in this volume receive an unexpected nuance: through a combination of technical and stylistic research it is demonstrated that some of Rembrandt's self-portraits were in fact painted by others in his workshop.In clear and accessible explanatory texts the different paintings are discussed. Among the many illustrations are life-size colour reproductions of the faces of the self-portraits under discussion. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. The volume contains an -- in several respects eye-opening -- essay by the head of the Rembrandt Research Project, Ernst van de Wetering, on the problems of authenticity and function of Rembrandt's self-portraits. In addition, the book includes groundbreaking contributions by Marieke den Winkel on the meaning of dress and costume in Rembrandt's self-portraits, by Karin Groen on the use of grounds in Rembrandt's workshop and in paintings by his contemporaries, and a study by Jaap van der Veen concerning 17th-century ideas about authenticity in art.This reference work should be part of every serious art historical institute, university or museum. The enigma of Rembrandt's self-portraits, one of the most compelling phenomena in art history has been unravelled by Ernst van de Wetering with unprecedented thoroughness.
The Metropolitan Museum of Art holds one of the most significant and best-known collections of European paintings in the world. The second of Scala's Walking Guide series with the Metropolitan, this handy, fully illustrated book provides an accessible walking tour of the newly expanded galleries of Old Masters and 19th-century European paintings at the Museum, reopening to the public in their entirety in May 2013. Visits to the Old Master galleries include northern European painting from Van Eyck to Reynolds; Italian Renaissance, from Giotto to Titian; Italian Baroque, from Caravaggio to Tiepolo; and French and Spanish painting from Poussin to Goya. Nineteenth-century visits include northern European painting from Ingres to Turner and two itineraries featuring impressionism and its precursors through post-impressionism, from Courbet, Manet, and Degas to Monet to Picasso. Each tour is presented via maps (with room numbers), cogent descriptions, and helpful landmarks to orient the visitor through the galleries of one of the most celebrated and popular areas of the Metropolitan. AUTHOR: Keith Christiansen is John Pope-Hennessy Chairman, and Katharine Baetjer is Curator, in the Department of European Paintings at The Metropolitan Museum of Art. SELLING POINTS: Features iconic masterpieces such as Rembrandt's Aristotle with a Bust of Homer, Veronese's Venus and Mars, El Greco's View of Toledo, Vermeer's Young Woman with a Water Jug, Cezanne's Card Players, Degas's Dance Class, Van Gogh's Wheat Field with Cypresses, and Monet's Bridge over a Pond of Waterlilies, among many others Only guide available of the expanded galleries of European paintings at The Metropolitan Museum of Art 100 colour illustrations
This series isolates authentic works from the great volume of Rembrandt-like paintings produced by his pupils and followers. The fifth volume covers his small-scale history and genre works, revealing fresh understanding of the painter's artistic evolution.
Kemarre Arts Articles
Kemarre Arts Books